We use the LiteGait system for lower level patients, but find it just as therapeutic, if not more so for high level patients.
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With the research on the importance of walking speed as a predictor of mortality, frailty, and function in the home and community the LiteGait is the perfect tool to train walking speed in a safe environment. This use partial-weight-bearing can facilitate more repetitions for neuroplastic changes as well as improved endurance and fitness.
In a minute session patients can walk one-half to three-quarters of a mile, which is improbable when performing independent walking over ground. InServices Mobility Research is currently scheduling educational inservice demonstrations throughout the U. Please call to schedule an appointment, or click to submit a request. Edit orial. The activation of sensorimotor cortices is attenuated and refined after motor skill and strength training. Sensorimotor cues provide powerful signal that promote stance to swing phase transitions and contribute to rhythmic, alternating LE movements during gait..
PT interventions that enhance the sensorimotor experience may augment the development of new neural connections, compensating for the damaged pathways that contribute to motor performance in children with CP. Neuromagnetic activity of the somatosensory cortices associated with body weight supported treadmill training in children with cerebral palsy.
Would you like to join the Journal Club Discussion? How relevant is that in carryover to overground, unsupported walking? Is that the critical factor in a study such as this in which a concrete measurements are related to neuroplastic changes developed as a result of study interventions? What impact would this have on other walking speed and endurance outcome measures used in this study? Then your strokes can be made with the authority that watercolor rewards.
With a focus on still-life painting, you develop skills necessary to create expressive and powerful work augmented by lectures and demonstrations. Investigate the different characteristics and effects achieved by employing wax as a component of your painting. Learn the basics of this ancient, luminescent medium, including material, surface and painting techniques as you explore a range of encaustic applications: from the simple addition of wax to your painting media to hotwax painting and the heating of wax-painted surfaces.
Group and individual instruction includes techniques for heating, mixing and application as well as layering and transferring methods. In this concentrated class, you create several lively color sketches and one finished painting working from inspiring set ups including flowers, fruit, patterned drapery and small statues.
Drawing inspiration from the work of Cassatt, Cezanne and their contemporaries, you explore a variety of palette choices, brushwork options and subtle color layering techniques balancing skill with intuition to produce images full of pattern, saturated color and light. Work with increasingly complex subjects as you expand your understanding of and dexterity with watercolor. Working from the still life, landscapes and photographs, you learn to individualize your painting process, better understand the variables of watercolor painting, use the variables to your creative advantage and take informed risks.
Students should have completed Beginning Watercolor or have basic watercolor experience. Composition plays a greater role, along with continued practice in direct and indirect methods, and brushstroke technique. You copy at least one Fayum portrait and complete one portrait from the model based on this technique.
Each stage of the painting process was undertaken with ultimate care and veneration. In this class you learn the Flemish technique, which involves rendering the image in two major stages: underpainting and overpainting. Discover how to prepare the surface, lay down or transfer the drawing, and execute the underpainting with egg tempera in the first stage of the painting and then learn the details of overpainting such as varnishes and oil glazes and how to interlace egg tempera laid wet into wet glazes or used as highlights in the final stages of the work.
To effectively learn to see what is happening in a work of art, you develop your sensitivity to color beyond color charts and wheels, general color theories and many commonly held ideas. In weekly studio exercises and critiques you explore color interaction, space problems and, most importantly, color density while painting in acrylic. The last two sessions include figure painting. His painterly innovations and meaningful abstractions were introduced to Paris by Claude Monet.
You investigate these two geniuses, French Impressionist landscape painting, using forerunners and contemporaries from other countries. Through lectures, painting exercises in oil and acrylic and one continually evolving landscape painting, you study this period and its influence on Modernism. Expressive, bold, confident brushwork is a hallmark of Impressionism. The direct painting method without an under painting is another important aspect of Impressionism. Berthe Morisot, Mary Cassatt and Edouard Manet all worked in this dynamic manner with layered, expressive line combined with high contrast values and saturated color.
In this class, you explore portrait and figure painting in oil or acrylic as the Impressionists worked with spontaneous brushwork, a multitude of lines, exciting color and spirited energy. Some painting experience recommended. Ricketts leads a lively critique group for painters working in any media. Concept, surface, imagery and composition are some of the many topics up for discussion.
The emphasis focuses on developing your individual voice. Class size is limited to eight students.
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Hoffmann assists you in your mastery of advanced techniques and innovative approaches to increasingly complex compositions. Group discussions and critiques further stimulate visual openness and growing awareness of varying approaches to common problems. Completion of Intermediate Watercolor or instructor permission required. New students welcome. Working from a set of parameters defined in the first class, you create several paintings that hang together as a related examination of a theme.
You may work in oil, acrylic or mixed media on the surface of your choice. Instructor guidance enhances your in-class studio work. Whether you are just starting out in three dimensions or are a seasoned artist ready to take your work to the next level, Gage has a sculpting class to fit your needs. You also learn to hone your artistic intention to convey meaning in your work as you model a scale figure alongside your instructor from a sustained pose.
Learn the logistics by working from measurements, and how to utilize photographs and life castings between sessions with the model. The pose is also available in the independent Sculpture Reserved Studio on Sunday mornings — allowing you many additional sessions to develop your work. Register separately for ST You work on two life-size clay busts to create a portrait from a model with distinctive features, holding a strong expression.
Constructing the bust from solid clay on an armature, you use the first four weeks to capture the expression and model a likeness. On the fifth week you learn to cut your work from the armature, hollow and reassemble your piece.
Over the final five weeks you use your new skills to create an expressive self portrait. Arrange to fire your finished piece in the Gage kiln. Experience a clear and intuitive method to master the fundamentals of three-dimensional modeling, as well as develop advanced skills that radically improve your ability to see and understand the figure.
You work from the same pose for the entire quarter, with the pose also available in the independent Sculpture Reserved Studio on Thursday nights — allowing you up to 20 sessions to develop your work. Working from a model, explore methods for modeling, creating texture and capturing a likeness as you create your own portrait sculpture. Study proportion, anatomy, measuring methods and techniques for building templates and armatures. Explore the human figure through clay in this class focused on the process of building a sculpture.
Beginning with sketches and constructing an armature, then continuing with discussion of bones, muscles and body proportions, you take your creation from a lump of clay to an animated portrayal of the model. By the end of the class you create a finished piece ready to fire in the Gage kiln. At Gage, all atelier students are given an individual studio space to complete projects independently under the guidance of their chosen instructor.
Working together in group studios, atelier students enjoy the benefit of creative influence and dialogue among their peers within a focused environment. Enrollment in the atelier programs is yearly, with 35 weeks of dedicated instruction over nine months. The calendar for the —11 year runs September 13 through June Students of Faigin work independently for a minimum of 15 hours in the studio each week, in addition to attending two weekly teaching sessions.
Atelier students receive free access to all Drop-In Figure Studios and any Gage Evening Lecture Series on art techniques and art history, which run throughout the academic year. To learn more or to receive application materials, please visit www. Based on the 19th-century model for training painters, this four-year diploma program provides time-tested methods for solving pictorial problems. Aristides teaches in stages; serious beginning students focus on drawing; more advanced students move into monochromatic and then fully chromatic painting.
Fourth-year students work on individual projects with guest mentors. You work from casts, the model and master copies in a series of progressively complex projects. Intended for long-term students, the Classical Atelier offers you the necessary vocabulary to create well-designed and well-executed drawings and paintings. You work with line and tone, light and shadow, color theory and mixing, proportion and anatomy, as well as different approaches to life drawing and painting. Learn to convey the essential nature of your subjects through finding the balance between technical accuracy and expressive gesture.
Short slide and technical demonstration lectures help you add to your skills and place your work into a wider historical and contemporary dialogue. The Still-Life Painting Atelier offers painting students interested in focusing their studio practice on the study of still-life arrangements over the course of a year.
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The intimate studio setting enables you to devote as much time as you wish to creating paintings, without the limitations of model time or weather conditions. Because everyone shares the same focus, optimal conditions for creative interchange and dialogue develop. You work toward success using the still life as a tool for the development of your own artistic voice, creating original, lively pictures that express your ideas and feelings, and focus on technique, rendering and composition. Abstract Drawing Int Artistic Anat.
Int Impressionist Figure Painting. Training: Gage Academy of Art. Exhibitions: Boston, New York, Seattle. Fulbright Scholar in Venice, Italy. Exhibitions include Sisko Gallery, WA. Representation: Sisko Gallery, WA. Publication: The Best of Sketching and Drawing. Training: Camden Arts Center, England. Numerous public art murals. Petersburg, Russia. In private collections and museums worldwide. Hoffmann has taught extensively nationally and locally. Representation: Fountainhead Gallery, WA. Training: Edinburgh College of Art, Scotland. Taught: University of Washington, WA.
Publication: Mixed Media Collage.
Training: Florence Academy of Art, Italy. Recipient: Artist Trust Gap grant and 4Culture award. Exhibits internationally. Awards: First Place, Virginia A. Call for more information. Art Supplies Class and workshop materials lists are posted on the web. Students may also request that a copy be faxed or mailed. Gage provides odorless solvents for all oil-painting programs.
Gage does not allow the use of Liquin or any other highly toxic mediums in the studios. All art supplies are included for Gage Youth Programs. Free Gage Wifi Free wireless internet is available on all three floors of the school. Facility Gage is located in the St. Nicholas school building, Tenth Avenue East beside St. The Gage main entrance is on the south end of the building. Notice of Nondiscrimination Gage does not discriminate on the basis of race, color, nationality, gender identity, sexual orientation, ability, age, religion and ethnic origin in administration of its educational and admissions policies, scholarships and any school-administered programs.
Parking Free parking is available weekdays along the south wall of the St. Nicholas building and behind St. For evening and weekend programs, students are invited to park behind the St. Nicholas building, as well.
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Transportation Gage is located east of I-5, south of and four blocks north of Broadway on Capitol Hill. For public transportation, take Metro bus line For driving directions, visit www. They provide four-hour, drop-in child care services, Monday through Friday. Visit their website at www. Student Contract: Submission of this signed Registration Form constitutes my acceptance of all terms and conditions stated in this catalog and agreement that Gage Academy of Art Gage cannot be held responsible or liable to me for any act or for any injury, illness, death, damage, loss, accident, delay or irregularity which may occur during the course of any program.
Gage assumes no responsibility for losses or additional expenses due to influences beyond its control. Personal effects, artwork and art supplies are my sole responsibility at all times. I understand and agree to the following: Gage reserves the right to cancel any program in which case it is liable only for any fees I paid to the Gage Academy of Art. Gage reserves the right to reschedule any program or replace any instructor without refund to me. I understand that I am obliged to abide by Financial Terms see below. No refund will be made for my early departure or deviation from the Academy schedule and my program registration shall be nontransferable.
Publicity waiver: Unless informed otherwise, Gage considers photographs taken of students and their artwork to be permissible for publication in Gage informational materials, including the web. To guarantee your place in a Gage class, please fill in the registration form and submit either full payment or a deposit of one half the tuition of the program.
Students registering with a deposit must fill out the credit card information and will be automatically charged the balance 35 days later. Please note that this does not apply for Youth Programs; all Youth Programs must be paid in full at time of registration. Your signature on the student contract indicates your agreement with these terms. For information on payment- plan terms for Atelier registrations, please refer to your Student Contract. Tuition credits are nontransferable. Exemption: Lecture series and continuing Atelier students. Students who wish to cancel their place in a program must notify the Gage office by telephone or email to qualify for tuition refund or tuition credit.
Tuition credits must be applied toward Gage programs within one year and are available on a stand-by basis only. All tuition credits are nontransferable. See Atelier and Mentored Studio contract for cancellation terms. All 13 students produced exceptional work under the guidance of instructors Kimberly Trowbridge and Tenaya Sims. Teen artists ages — drop in to study with professional artists who provide focused instruction in a fun, relaxed atmosphere. All art materials provided. The artists in the Teen Intensive work from the model daily as well as on projects in their own studio space.
Explore basic techniques of creating threedimensional forms with water-based clay. You start with sculptures inspired by simple objects working from observation, then continue from your imagination, and in the last two weeks you work from a live model to compose two small figures. Learn to use modeling tools, clay application techniques, gesture and overall design throughout the month. Collect information inspired by daily life, drawing from things you see and use each day!
You develop a set of new techniques, integrating art and daily life by developing your drawing skills to make sticker editions.
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Learn to use your sketchpad as a tool for gathering, building on the idea of an art kit — something that provides skills and materials for inquiry beyond the classroom. Learn the basics of anatomy by observing the relationships between muscle and bone. Beginning with the basic forms of the human body, you focus on the underlying structure and move on to a closer look at the torso, the arms and legs, and the head. Working over four weeks you draw from life and from your imagination to develop a working understanding of the human body. Use wire to create an armature for any kind of three-dimensional forms you wish to build, and then drape plaster-dipped burlap strips over them to bulk up your sculptural forms.
Quick-drying plaster means you instantly watch your sculpture come to life. This month, you explore the use of recyclables to make model eco-homes. Learn to design hand-bound journals made from reusable products and create usable items from plastic grocery bags. Explore your artistic process through cut paper in both two and three dimensions. Begin with collage, work toward bas-relief construction and, finally, learn how to transform paper into sculptural forms. You also learn the traditions of cut-paper and contemporary practices across the globe as you go.
The possibilities are endless! Have you ever drawn someone only to accidentally age them 50 years in your drawing? Learn to structure your observations and place those details and unwanted wrinkles! Beginning with classical structure and anatomy, you learn to refine your observations, uncovering unique information about form and structure while gaining better understanding and use of graphite, charcoal and pencils.
Discover various painting methods and materials, revealing the diversity of painting styles available. This certification will allow you to transport and use the nuclear gauge in compliance with the NRC regulations. The licensed organization using this training may need to modify their nuclear license to meet individual state requirements. Additional hands on-training by the licensee holder will be needed prior to using a nuclear gauge.
The course must be completed and a passing score obtained on the final quiz to obtain a certificate of completion. Individuals are required to receive training and re-certification every 3 years. This course is for individuals who will be performing duties as the Radiation Safety Officer for organizations using portable moisture and density nuclear gauges. The course covers the following topics also shown on the left of the screen : Review of radiation basics Supervising an effective radiation safety program Effective record keeping NRC regulations Review of potential incidents NRC enforcement actions Determination of allowable radiation dose compliance Homeland Security safety Training requirements Each module must be completed and a passing score obtained on all of the quizzes to obtain a certificate of completion.
This course fulfills the requirement for yearly portable nuclear gauge refresher training. To verify if this training is necessary, the licensee must verify the conditions of their material license or state requirements. Each module must be completed and a passing score obtained on the quiz to obtain a certificate of completion.